The science behind the standard.

We do not run focus groups. We do not send surveys. We read the brain’s real electrical response to advertising, second by second, so we can see whether it is genuinely being encoded into memory and whether it is being linked to your brand.

This page explains what we measure, what the current research shows, and what we are still working to prove.

What We Measure

Five neural signals, captured by EEG

EEG is the tool that made this measurable. A cap of sensors reads the electrical activity of the brain, in real time, while a person watches your advertising. We do not ask them to rate it afterwards. We watch what the brain does while it is happening. From that signal we separate five things.

We can measure, second by second, whether the brain is attending, engaging, encoding and linking that encoding to your brand. We can show which frames are landing and which are being lost. We can compare a 3D execution against its matched 2D equivalent on the same signals, in the same market.

01

Attention

The brain’s focus. The entry point.

02

Engagement

Emotional and cognitive investment in what is on screen.

03

Memory Encoding

Whether the brain is doing the work of storing the message.

04

Cognitive Load

The effort of processing. Too much of it and the message never lands.

05

Brand Linkage

Whether the memory being formed is attached to your brand, or floating free of it.

Brand linkage is the one most creative development misses. An ad that generates attention and engagement, but where the brand is absent at the peak moment, produces a memory of the experience rather than a memory of the brand. That is a common finding, and it is expensive.

The Third Dimension Research Programme

An independent EEG study.

The current research programme was conducted by Grey Mattr, our neuroscience partner, in collaboration with 3Rock Global. It set out to answer a single question: when 3D advertising outperforms 2D, why does it, and by how much.

The study is authored by Dr Shannon Bosshard and the Grey Mattr team and is published in WARC.

55Participants
60Advertisements
28Matched 3D and 2D pairs from the same brands
EEGPlus visual-attention modelling
1,000+Monte Carlo simulations per comparison
SAME ADsame-brand comparisons, isolating the 3D effect from broader creative differences

What the Research Found

Key findings from the paper

Finding 01

95%

In the highest-performing matched creative pairs, Monte Carlo simulations favoured the 3D execution in more than 95% of comparisons.

Published in WARC.

Finding 02

When 3D wins, the lift is significant

MetricWithin the adTypical liftAgainst matched 2DTypical lift
ATTENTION86%11% to 41%73%20% to 55%
MEMORY ENCODING57%10% to 92%58%15% to 75%
ENGAGEMENT64%27% to 154%65%51% to 360%
COGNITIVE LOAD (reduced)75%5% to 26%73%10% to 37%

Attention is not memory. Across the dataset, stronger attention did not consistently translate into stronger memory encoding. The executions that moved memory were those where depth, object separation and forward movement directed attention to the brand at its peak moment, rather than to the spectacle around it.

Finding 03

3D moments rank among the top 20% of the archive

When benchmarked against Grey Mattr’s wider library of hundreds of audio and visual assets, 3D moments consistently ranked toward the upper end of performance:

vs. Audio Benchmarks

88%

3D moments outperformed 88% of audio assets on attention

90%

3D moments outperformed 90% of audio assets on engagement

vs. Visual Benchmarks

83%

3D moments outperformed 83% of visual assets on attention

85%

3D moments outperformed 85% of visual assets on memory

90%

3D moments outperformed 90% of visual assets on engagement

Moment-level comparison: 3D moments benchmarked against whole assets from other formats.

Finding 04

Attention is not the same as memory

The single most important finding of the study, and the one that changes the buying question. Across the dataset, higher attention did not reliably translate into higher memory encoding. The industry has been optimising for the wrong thing.

Finding 05

The strongest 3D executions simplify rather than disrupt

They work because they create clear focal hierarchy, reduce ambiguity, and direct the viewer’s gaze to branded moments. The mere inclusion of 3D is not what drives the outcome. Brand presence at the peak moment does.

The Paper

The third dimension

The third dimension: Why 3D advertising is reshaping attention, memory, and brand impact is published in WARC, 31 July 2026. Independent research conducted by Grey Mattr in partnership with 3Rock Global.

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